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We'd normally poo-poo that idea but it's obvious that it's been done to make room inside for the lens. The tripod bush is located just next to the battery compartment and is slightly off-centre. Thankfully a lock is provided to prevent it opening by accident. The spring loading of the door is powerful and it snaps open. The battery door is strong with little play when it's fully opened. Bigger is certainly better with a bridge camera.ĭespite the plastic exterior, the Panasonic Lumix DMC-FZ72 feels solidly built.
As we mentioned previously, the grip is a little more chunky than we normally find on a bridge camera and while we think that it may simply be a happy accident, it certainly helps when shooting as you feel that you've got more to hold onto. Typically on a camera of this price range and filled with this amount of tech, the build quality is very good.
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This brings the camera into your centre of gravity and stabilises it which is useful if you have the zoom at full length. There's a hotshoe for fitting external flash and an LVF (Live View Finder) for holding the camera up to your eye as you would with a DSLR or CSC. The back of the camera has an AF/AE lock button for creative light or focusing techniques and you can also record in raw, JPEG and both at the same time.
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The command dial on the top plate of the Panasonic Lumix DMC-FZ72 has manual PASM modes. It's designed to help with low light such as night scenes without a flash, but can also help with high zoom ranges due to the reduction in light from the narrower field of view.įor the keen photographer there are a number of features that will appeal. The Power OIS is fitted to the FZ72 because it's twice as good at suppressing shake than Mega OIS. Panasonic use two different types of OIS: Mega and Power.
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It's programmed to keep the ISO as low as possible and the Power OIS (Optical Image Stabiliser) will ensure that it does. That's not to say that it's difficult to use and we found through testing at full zoom that we generally got sharp pictures as long as we kept the ISO setting to auto and let the camera do its thing. It's a lot easier to use when supporting the lens at full zoom. Panasonic should really have thought about placing a separate zoom switch on the side of the lens barrel. The Panasonic Lumix DMC-FZ72's zoom is operated by the rocker switch around the shutter release. Surrounding the command dial as if defending the shutter release are the direct video, continuous shooting and focus option buttons. The large command dial sits on the right shoulder nestling against the Live View Finder (LVF). But then that's what happens when you have more estate to play with. Typically, for a bridge camera, the controls and buttons are slightly more over-sized than what you'd see on a digital compact camera. Couple that with the built-in microphone and speakers on the top of the pop-up flash and it looks quite futuristic. The design has been given a rework with smoother corners, a chunkier grip and adverse angles on the top where the hotshoe is located. Sure it's a little bit bigger than a bridge camera that features a smaller zoom range, but that's to be expected.
We half expected a camera the size of a mid-range DSLR with a zoom that size on it. Perhaps the most surprising aspect of the Panasonic Lumix DMC-FZ72 is the size of it. The Panasonic Lumix DMC-FZ72 costs around £365.99 / $399.99 and is available in any colour as long as it's black. In this in-depth review, we test how the camera performs at these extreme lengths. That's a 60x zoom and is currently the longest in the industry. The Panasonic Lumix DMC-FZ72 (also known as the FZ70) is a digital bridge camera with a 16.1 megapixel high sensitivity MOS sensor, FullHD video, Power OIS and a 20mm wide-angle lens that telescopes out to an unbelievable 1200mm.
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